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yama-bato: Everyman’s Infinite Art (1966) Harold Gregor This installation of readymade objects in specific arrangements was Harold Gregor’s response to the advent and popularization of minimalism. The subject matter is the de-skilling of art, and the tension between text-based descriptions and the experience of seeing artworks in person. Gregor’s work, in its use of space, industrial materials, and general attitude of de-skilling seems prescient, given developments in sculpture since 1966. Sculpture, installation, mixed media, found objects, text Dimensions variable © 1966 Harold Gregor via

yama-bato:

Everyman’s Infinite Art (1966)

Harold Gregor

This installation of readymade objects in specific arrangements was Harold Gregor’s response to the advent and popularization of minimalism. The subject matter is the de-skilling of art, and the tension between text-based descriptions and the experience of seeing artworks in person. Gregor’s work, in its use of space, industrial materials, and general attitude of de-skilling seems prescient, given developments in sculpture since 1966.


Sculpture, installation, mixed media, found objects, text Dimensions variable
© 1966 Harold Gregor

via

#Art  #Installation  #Black and White  #Photography  
1 year ago on May 15, 2012 at 01:14am
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